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rizwana_kashyap@shalzzz.com
aiQ;k: m;;iht;I
leK;(Articles)
i#s;e]b;r, 2005
y;; ic;m;[y;;]n;;e, p;rt; if:r; re
j;;n;ev;;rI, 2006
v;!v;&Z;;]cy;; s;;v;lIt; ('Z;[; s;rlele'-B;;g; 1)
fe:b;>uv;;rI, 2006
a;w*, h;e~ k:x;I Wt;r;w* ` ('Z;[; s;rlele'-B;;g; 2)
m;;c;*, 2006
x;;Lem;Q;lI h;et;e t;evh; ('Z;[; s;rlele'-B;;g; 3)
Aip;>l, 2006
iv;dYec;e m;;herG;r-p;u[y;n;g;rI ('Z;[; s;rlele'-B;;g; 4)
m;e, 2006
in;G;;le a;j; it;k:#cy;; G;rI ('Z;[; s;rlele'-B;;g; 5)
j;Un;, 2006
r;ihle re dUr G;r m;;z;e ('Z;[; s;rlele'-B;;g; 6)
j;ulE, 2006
G;r g;]g;ecy;; k:;@I ('Z;[; s;rlele'-B;;g; 7)
a;|g;s!, 2006
ij;v;;c;I m;u]b;w* ('Z;[; s;rlele'-B;;g; 8)
s;p!e]b;r, 2006
ij;Dh; v;eoL, aij;]!Y;c;; - a;Er]g;;b;;d ('Z;[; s;rlele'-B;;g; 9)
a;|k!;eb;r, 2006
p;>dUi{;t; n;g;rI-@;[;e ('Z;[; s;rlele'-B;;g; 10)
n;;evhe]b;r, 2006
s;;el;p;Ur / q;;e#] k:#U q;;e#] g;;e# ('Z;[; s;rlele'-B;;g; 11)
i#s;e]b;r, 2006
g;;ed;v;rI-diZ;[;c;I g;]g;; ('Z;[; s;rlele'-B;;g; 12)
j;;n;ev;;rI, 2007
s;KKy;; x;ej;;r[;I v; x;ej;;rI ('Z;[; s;rlele'-B;;g; 13)
fe:b;>uv;;rI, 2007
p;unh; Ak:d; p;u[y;n;g;rI ('Z;[; s;rlele'-B;;g; 14)
m;;c;*, 2007
iv;]c;v;;c;e ib;Rh;# p;;@Iv;r ('Z;[; s;rlele'-B;;g; 15)
Aip;>l, 2007
n;;g;p;Urm;Q;le idv;s; ('Z;[; s;rlele'-B;;g; 16)
m;e, 2007
idn; j;;e p;K;eO h;et;e ('Z;[; s;rlele'-B;;g; 17)
j;Un;, 2007
aliv;d; n;;g;p;Ur ('Z;[; s;rlele'-B;;g; 18)
j;ulE, 2007
g;;@I P[;;n;ub;]Q;;]cy;; ('Z;[; s;rlele'-B;;g; 19)
a;|g;s!, 2007
m;]q;n; ('Z;[; s;rlele'-B;;g; 20)
s;p!e]b;r, 2007
s;rsv;t;I
a;|k!;eb;r, 2007
w*v;;|n;
n;;evhe]b;r, 2007
a;m;c;; %;e!; b;;v;;j;I
i#s;e]b;r, 2007
B;Ik: n;k:;e p;[; ku:F;] a;v;r `
j;;n;ev;;rI, 2008
k:; k:rIx;I ał;h;s; `
fe:b;>uv;;rI, 2008
b;;ele t;U k:;En;s;I b;;elI `
m;;c;*, 2008
j;;v;e ty;;cy;; v;]x;;
Aip;>l, 2008
s;;e#Un; j;;t;e g;;v; re `
m;e, 2008
x;h;[;p;[; deg;; dev;;
j;Un;, 2008
y;;l; f:ij;t;I Aes;e n;;v;
j;ulE, 2008
j;;, W#uin; j;; p;;K;r; `
s;p!e]b;r, 2008
't;I' x;t;op;;
Aip;>l, 2009
a;m;c;I m;jj;;
c;licc;F;(Video)
a;|g;s!, 2006
G;r-s;j;;v;! / b;g;Ic;; (c;licc;F;-'s;u]dr m;;z;e G;r'-B;;g; 1) x;bd;]k:n;
s;p!e]b;r, 2006
G;r-s;j;;v;! / p;>q;m;-dx;*n;I h;|l (c;licc;F;-'s;u]dr m;;z;e G;r'-B;;g; 2) x;bd;]k:n;
a;|k!;eb;r, 2006
G;r-s;j;;v;! / m;uKy; x;y;n;k:Z; (c;licc;F;-'s;u]dr m;;z;e G;r'-B;;g; 3) x;bd;]k:n;
n;;evhe]b;r, 2006
G;r-s;j;;v;! / wt;r x;y;n;k:Z; (c;licc;F;-'s;u]dr m;;z;e G;r'-B;;g; 4)
i#s;e]b;r, 2006
G;r-s;j;;v;! / sn;;n;g;&h (c;licc;F;-'s;u]dr m;;z;e G;r'-B;;g; 5) x;bd;]k:n;
j;;n;ev;;rI, 2007
G;r-s;j;;v;! / sv;y;]p;;k:G;r (c;licc;F;-'s;u]dr m;;z;e G;r'-B;;g; 6) x;bd;]k:n;
g;&hx;;eB;;(Homescience)
a;|g;s!, 2006
G;r-s;j;;v;! / b;g;Ic;; (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 1) c;licc;F;
s;p!e]b;r, 2006
G;r-s;j;;v;! / p;>q;m;-dx;*n;I h;|l (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 2) c;licc;F;
a;|k!;eb;r, 2006
G;r-s;j;;v;! / m;uKy; x;y;n;k:Z; (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 3) c;licc;F;
B;rt;k:;m; - B;;g; 1 (p;Z;I)
n;;evhe]b;r, 2006
G;r-s;j;;v;! / m;ul;]c;I b;e#om; (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 4)
i#s;e]b;r, 2006
G;r-s;j;;v;! / sn;;n;g;&h (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 5) c;licc;F;
j;;n;ev;;rI, 2007
G;r-s;j;;v;! / sv;y;]p;;k:G;r (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 6) c;licc;F;
fe:b;>uv;;rI, 2007
G;r-s;j;;v;! / g;es! om; (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 7)
m;;c;*, 2007
G;r-s;j;;v;! / s!#I om; (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 8)
Aip;>l, 2007
G;r-s;j;;v;! / p;|s;ej;es; (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 9)
m;e, 2007
G;r-s;j;;v;! / g;|lrI (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 10)
a;|k!;eb;r, 2007
fl|! x;;eQ;t;;n;; (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 11)
n;;evhe]b;r, 2007
G;r p;h;v;] b;;]Q;Un; (p;uist;k:;-'s;u]dr m;;z;e G;r'-B;;g; 12)
k:q;;(Stories)
fe:b;>uv;;rI, 2007
Ak: hrv;lel; idv;s;
m;;c;*, 2007
m;;herv;;x;I[;
Aip;>l, 2007
v;t;*uL
n;;evhe]b;r, 2007
"dev;; dy;; t;uz;I k:I ...."
k:iv;t;;(Poems)
a;|g;s!, 2008
m;n; hLv;], hLv;] |
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sathesc
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19 Apr : 17:20
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Comments: 61
Registered: 03 Dec : 20:43
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I avidly read all three short stories by Mrs. Kshyap. The first two are about the intanglible losses and lost opportunities we all experience some time or another - except that she can portray them so eloquently and without much melodrama. The style is very similar to her autobiography serialized in Antaraal. The third one, "Circle", is a slight departure for the author, in that, Sangeeta, the heroine, seems to reflect her own Gandhian way of life. But, unlike the author, Sangeeta seems destined to a life of a Sanyasin as if a price to be paid for her sincere way of life. I don't believe it has to be so.
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Rizwana
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21 Apr : 21:24
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Comments: 8
Registered: 11 Nov : 14:09
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Hello Mr.Sathe,
I have always valued your comments on my written work, specially when you wrote about"Ya chimnyano..."! I was reallly sorry not to have saved those! And tried my best to retrieve them when I saw them deleted!
About,"Wartul"your comments are a little away from what I felt. The story ends where, Sagar realises that Sangeeta is out of his reach. She is in the process of finding her footage in life & coping with her losses with a lot of stregnth, yet her life or story of her life doesn't end where the story ends. She has a long way to go, heal herself & may be find someone who is worth being her soulmate! The future of Sangeeta has a lot of unwritten/spoken potential. Each reader can visualise differently!
Thanks so much
Rizwana Kashyap
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